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The artist collection

Leonardo da Vinci Oil Painting Reproductions

A turning head, a softly modelled face, a landscape disappearing into blue distance: Leonardo’s paintings reward patient looking. Our Leonardo da Vinci reproductions are painted by hand in oils on canvas to order, from intimate portraits to the expansive Last Supper. Browse the collection below, or ask us to help choose a composition and size for your room.

Mona Lisa by Leonardo da Vinci
Mona Lisa

Explore the collection

Leonardo paintings

Choose a painting to see the available sizes, prices and full details.

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A little help choosing

Choosing your Leonardo painting

Mona Lisa by Leonardo da Vinci

The Mona Lisa brings a quiet, direct presence, while Lady with an Ermine draws its energy from the sitter’s turn and the pale animal against a dark background. Ginevra de Benci offers another restrained portrait, with foliage framing the face.

For a more intricate composition, compare the figures and rocky setting of Virgin of the Rocks with the interwoven family group in The Virgin and Child with Saint Anne. Annunciation opens out into architecture and landscape; The Last Supper has a much broader horizontal format. Give that scene sufficient width for the apostles’ faces and gestures to remain readable. If you have a particular version or reference in mind, send it before we quote.

Size and framing

Keep the complete composition and its proportions. Allow for the frame when measuring your wall, especially for the broad Last Supper. Choose a listed size or ask for an alternative quotation; we can advise on a scale that gives faces and smaller details enough space.

Our frame mouldings are handmade to order, with your chosen colour finish: antique gold or silver, contemporary neutrals, or an actual Farrow & Ball shade. We can help shortlist finishes that suit the painting and its setting.

Once we have discussed suitable sizes and prices, our free room mock-up service can help you see how the painting would look in your space.

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The painter behind the collection

About Leonardo da Vinci

Red-chalk profile portrait of Leonardo da Vinci with long hair and a beard

Italian painter, 1452–1519

Leonardo da Vinci made expression and gesture central to painting. His figures seem to think, turn and respond to one another, while carefully observed light gives their faces and hands a convincing sense of form. In the Mona Lisa, the soft transitions known as sfumato blur the edges between light and shadow, making the sitter’s expression difficult to pin down.

Trained in Verrocchio’s Florence workshop, Leonardo later worked in Milan, where he developed the Virgin of the Rocks and painted The Last Supper for the refectory of Santa Maria delle Grazie. The apostles’ contrasting reactions turn a familiar religious subject into a study of human behaviour. His notebooks reveal an equally persistent interest in anatomy, geometry and the natural world.

Although relatively few paintings survive, their range is remarkable: concentrated portraits, closely connected groups of figures and landscapes that recede far beyond the foreground. The compositions depend on relationships between figures as much as individual detail. A hand, a glance or the direction of a body can guide the eye through the whole scene.

Which Leonardo would you like to live with?

For a painting not shown here, send its title or a reference image, your preferred size and delivery location. We will assess the reference before preparing a quotation.

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